(REVIEW) Throughout the show “Chad Powers,” the f-bombs burst through the air more than footballs — and not just from Russ, but the coaches, women and the extras. The only one not dropping them in this faux football world was the “Christian” backup quarterback who was, of course, a sincere idiot.
Read More(REVIEW) John Chau was an American man who died trying to preach the Gospel to North Sentinel Island, home to a tribe cut off from the outside world. The story captured the world’s attention — but a new film, "Last Days", recalls what happened, but was also a missed opportunity for secular-religious empathy.
Read More(REVIEW) “The Exorcist” has always stuck out to me as a movie because of its universality, its appeal to both the religious and secular. “Exorcistic” is a byproduct of the movie’s lasting influence in media that certainly leaves a wild impression of its own. It’s worth seeing if you want something to put you into the Halloween spirit.
Read More(REVIEW) “Black Phone 2” is good when it’s going for vibe and style. The first half, where it shows characters dealing with trauma without judging them, is Derrickson at his best. But a disappointing second half that focuses more on preaching than entertainment undermines any goodwill the film built up. And its harmful spiritual messages mean that this is a phone call there’s very little reason to take.
Read More(REVIEW) Like most mainstream, organized religions, Islam is a big tent. Corralling the various ideologies, sects, divisions, major players and developments over the course of some fourteen hundred years into a digestible narrative is no easy job, and Tolan’s effort is both daunting and admirable.
Read More(REVIEW) “Ruth & Boaz,” a modern retelling of the biblical love story, blends faith-based themes with romantic drama and Tyler Perry-style spectacle. Directed by Alanna Brown and produced under a Netflix deal with DeVon Franklin and Tyler Perry Studios, the film explores themes of faith, redemption and healing while leaning heavily on familiar tropes.
Read More(ANALYSIS) “The Exorcist” may be the most famous exorcism film ever made. But “The Conjuring” is easily the most successful exorcism franchise. Starting with “The Conjuring” in 2013, the franchise follows Ed and Lorainne Warren (played by Patrick Wilson and Vera Farmiga, respectively) as they, with the blessing of the Catholic Church, help families who claim to be haunted by demons.
Read More(REVIEW) “Guns & Moses” is a rare film that succeeds both as compelling entertainment and as a surprisingly thoughtful exploration of faith. It’s a model that shows how believers can examine all aspects of life through their faith and art — including those they'd prefer to keep in a concealed carry. The film expertly tells a story that is emotionally satisfying from a faith standpoint.
Read More(REVIEW) “East of Wall” is a heartwarming and raw story about overcoming hardship and helping others. Unfortunately, its unusual style both helps and hinders our ability to connect with the people and experiences at the center of the drama. The film follows Tabatha, a rebellious horse trainer, who, after her husband’s death, wrestles with unresolved grief while providing refuge for a group of teens.
Read More(REVIEW) “The Invisibility of Religion in Contemporary Art” is a deeply academic tome. Its 480 pages includes an extensive set of endnotes that will no doubt prove invaluable to future scholarship, while its large appendix is itself a significant resource. Yet, with Anderson’s lucid and well-informed writing style, this book will be accessible to a wide audience of readers.
Read More(REVIEW) “The Fantastic Four: First Steps” continues the Marvel trend of having a strained relationship with God that reflects trends within our culture. And while this new version of the Fantastic Four is more optimistic in many ways, its view of God is increasingly terrifying. Marvel has long had a complicated relationship with God. While they mostly ignore Him, the movies have, over time, featured and discussed the Almighty more and more.
Read MoreThe film, a standout in early faith-based cinema, returns for its 15th anniversary amid a revitalized genre led by hits like “The Chosen.” Directed by Dallas Jenkins and starring Kevin Sorbo, the film explores an alternate reality where a businessman sees the life he could have had by following God’s path. Strong writing and emotional depth elevate it above genre clichés.
Read More(REVIEW) “Squid Game” is a series that’s no stranger when it comes to weaving religious imagery into its narrative. Season 3 culminates that thread with both subtle and striking references, particularly when it comes to Christian symbolism. The season, it turns out, is more parable than sermon. The six episodes that form the final season are bloodier than ever.
Read More(REVIEW) Zombies resemble humans without retaining anything about our distinct personalities or relationships also have a visceral ability to articulate our fear of the end. Death is an ever-present fact of life, so symbols of death, like skulls or the Grim Reaper, are natural. This is particularly true during times when religious symbols of death and what comes after (like the Christian cross) appear to be out of style.
Read More(REVIEW) When it comes to U2, perhaps the only thing harder to find than a nuanced opinion of them is an accurate portrayal of their faith. It was a shock to some that the Dublin-based band — who became big in the 1980s — refused to be pigeonholed as apologists for Irish nationalism. Anyone who looks at their religious makeup shouldn’t have been surprised.
Read More(REVIEW) Benjamin Franklin famously once said, “In life, nothing is certain but death and taxes.” Death is one of those things that the religious and non-religious have in common. It forces both to contemplate how to find meaning in life. Religious people have had the advantage in this regard, as the idea of eternal life is more appealing for people than the alternative.
Read More(REVIEW) “The Ritual” is a movie you’ve seen many times before. But the story is clearly powerful enough that it is worth retelling. Hopefully, filmmakers will start figuring out how to tell these stories in new and different ways. In the meantime, we have movies like “The Ritual” and can always rewatch a classic such as “The Exorcist” again.
Read More(REVIEW) It’s been said, “You may not care about politics, but politics cares about you.” The same is true of religion. If you want to better understand your neighbors — and the cultural and political forces shaping America — “The American Religious Landscape” is the primer you’ve been looking for. Despite all the data, it’s also a book that does not disappoint.
Read More(REVIEW) The film does fall into some contrived tropes. It’s never really adequately explained why they don’t initially try to get donations for the surgery (or help from Joe’s super-rich friend). But it doesn’t lean as far into these as most do, and the authenticity of how the characters behave in these situations makes up for it. “The Last Rodeo” is the best Angel Studios movie to date and one of the better faith-based industry films ever made.
Read More(REVIEW) “The Many Lives of Anne Frank” is trenchant, elegant and relevant — beautifully written, almost like a novel. Franklin achieves the seemingly impossible: Allowing the reader to see the flesh-and-blood Anne — complex, rambunctious, talkative, critical, acerbic, funny and vivacious — rather than the homogenized and sentimentalized figure enshrined in pop culture.
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