(REVIEW) “Black Phone 2” is good when it’s going for vibe and style. The first half, where it shows characters dealing with trauma without judging them, is Derrickson at his best. But a disappointing second half that focuses more on preaching than entertainment undermines any goodwill the film built up. And its harmful spiritual messages mean that this is a phone call there’s very little reason to take.
Read More(REVIEW) There's a part of me that can’t wrap my head around the purpose of “The Chosen Adventures.” It’s ostensibly a version of “The Chosen” for kids, but the original series is already largely family-friendly. Sure, it straddles the line between PG and PG-13, but it’s really only the youngest viewers who might find it unappealing.
Read MoreNine months before she was killed by an Israeli airstrike, Palestinian photojournalist Fatma Hassona started quoting “Shawshank Redemption.” “Hope is a dangerous thing,” she told Iranian filmmaker Sepideh Farsi over a WhatsApp video call. Farsi and Hassona began talking in early 2024, after Farsi’s plans to make a documentary in Rafah were upended due to the closing of the border.
Read More(REVIEW) “House of David” is the flagship title of the newly launched “Wonder Project,” and Season 2 is the biggest launch title for its new subscription platform. The series delivers on epic battles, complex characters and biblical themes. It recounts the ascent of the biblical figure David, who eventually becomes the most renowned and celebrated king of Israel.
Read More(REVIEW) The online series does a solid job of translating the biblical story and characters into a sit-com workplace comedy format. But, like the Israelites looking for the promised land, it has a long way to go before it gets there. The first season of “The Promised Land” is available on YouTube now with new episodes releasing each week.
Read More(REVIEW) “Ruth & Boaz,” a modern retelling of the biblical love story, blends faith-based themes with romantic drama and Tyler Perry-style spectacle. Directed by Alanna Brown and produced under a Netflix deal with DeVon Franklin and Tyler Perry Studios, the film explores themes of faith, redemption and healing while leaning heavily on familiar tropes.
Read More(ANALYSIS) More recently, a 2021 study from the University of Southern California’s Annenberg Inclusion Initiative looked at 200 popular movies and found that Muslim characters were either completely missing or shown as violent. Despite the consistency of negative representations of Muslims on television following the rise in Islamophobia, the post-9/11 climate actually saw the introduction of more diverse Muslim characters.
Read More(REVIEW) “Triumph of the Heart” is a rare movie that leans into the parts of the Christian walk we often like to talk about but not experience. In doing so, it shows us the beauty of standing up against evil. If one can take the constant drumbeat of pain and look past some of its repetitiveness and hagiographical weaknesses, one will be rewarded by having one’s heart drawn closer to God.
Read MoreApple TV’s sci-fi drama “Severance” was the most-nominated show at this year’s Emmys — and for good reason. The series boasts a chillingly unique premise: Workers at mega-corporation Lumon have the opportunity to undergo surgery which renders them into two, an “innie” who works from nine to five and an “outie” who lives a regular life outside of work — all to manufacture a twisted work-life balance and preserve confidentiality around work.
Read More(ANALYSIS) “The Exorcist” may be the most famous exorcism film ever made. But “The Conjuring” is easily the most successful exorcism franchise. Starting with “The Conjuring” in 2013, the franchise follows Ed and Lorainne Warren (played by Patrick Wilson and Vera Farmiga, respectively) as they, with the blessing of the Catholic Church, help families who claim to be haunted by demons.
Read More(ANALYSIS) Darren Aronofsky’s most formative encounter with Haredi Jews may have come when he was an 18-year-old in Israel at the Kotel. It was there at the wall, he told film journalist Andrea Chase, he met a group of Hasidim who introduced him to the Jewish mysticism he’d go on to use to award-winning effect in his debut feature, “Pi.”
Read More(REVIEW) “Guns & Moses” is a rare film that succeeds both as compelling entertainment and as a surprisingly thoughtful exploration of faith. It’s a model that shows how believers can examine all aspects of life through their faith and art — including those they'd prefer to keep in a concealed carry. The film expertly tells a story that is emotionally satisfying from a faith standpoint.
Read More(ANALYSIS) “Murderbot” has options, but only a few. Kill all the stupid humans and flee, which likely means another SecUnit would stop him and then the company would melt him down as scrap. Or play along, pretending to do the job you’ve always done but hope no one notices when you’re not all there because — you’re bingeing thousands of hours of “content” — human/bot/AI entertainment.
Read More(REVIEW) At times, it feels like there are two different “Light of the World” movies vying for dominance onscreen. One is a cringe Sunday school lesson with forced try-hard laughs and mini-sermons sprinkled throughout. The other is a beautifully animated character drama that shares the beauty of Jesus through relatable characters and moving imagery with genuine laugh-out-loud moments.
Read More(REVIEW) What’s most interesting about “The Sandman” is not the Netflix show itself — but what it says about religion and spirituality. The show has plenty to say about death and faith in ways that fit exactly in with many trends of our modern day. In this way, “The Sandman” is itself a time capsule of modern-day dreams about our life and how the world works.
Read More(REVIEW) “The Blind” deserves credit for making a Christian-friendly film that doesn’t downplay the darkness of life. If it had only been able to overcome some of the other tropes that plague the genre, the results could have been truly special. Even so, for fans of the Robertson family or those who want a classic Christian redemption story, this story about a duck-hunting clan mostly hits its target.
Read More(REVIEW) With no meaningful character arc and no coherent theme, “Honey Don’t!” leaves viewers adrift. It’s a detective story with no one to root for and nothing to say. Instead of delivering clarity in a chaotic world, it adds to the noise. In the words of Macbeth — adapted by Ethan Coen’s brother Joel in “The Tragedy of Macbeth” — the film is “full of sound and fury, signifying nothing.”
Read More(REVIEW) “East of Wall” is a heartwarming and raw story about overcoming hardship and helping others. Unfortunately, its unusual style both helps and hinders our ability to connect with the people and experiences at the center of the drama. The film follows Tabatha, a rebellious horse trainer, who, after her husband’s death, wrestles with unresolved grief while providing refuge for a group of teens.
Read More(ANALYSIS) This summer’s “Superman” is more than just another superhero movie. James Gunn's latest, starring David Corenswet, offers something different: A return to the character's core — not just as a cultural icon, but as a figure imbued with spiritual and moral gravity. Because Superman has always been religious. Maybe not explicitly, but unmistakably.
Read More(ANALYSIS) Two recent announcements about two upcoming faith-based releases that could be game-changers for the industry: Angel Studios and The Wonder Project’s “Young Washington” and Mel Gibson’s “The Resurrection of the Christ.” While the announcements have mostly gone under the radar, they have the potential to upend the Hollywood landscape as we know it for a long time to come.
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